Aesthetic Harmonies: Whistler in Context
September 17, 2015 - January 3, 2016
Aesthetic Harmonies explores the many artistic, social, and historical contexts in which we can situate the artist James McNeill Whistler. Drawing from the museum’s rich collections of European, American, and Asian art, the exhibition reexamines Whistler’s relationship to the Etching Revival in Britain, French Realism, American Impressionism, and transatlantic Aestheticism. It also places the artist’s experiments with color, form, beauty, and nature in dialogue with early American modernism, mid-twentieth-century abstraction, and contemporary art. Aesthetic Harmonies thus constructs a history of modern art through Whistler’s diverse practices, philosophies, and influences. This exhibition is curated by Associate Professor of Art Tanya Sheehan and the students in AR497 (Fall 2014); Maria Bowe ’15, Catherine Maguire ’15, Caroline Pelham ’17, Francesca Soriano ’16, Veronica Vesnaver ’15, and Marina Wells ’15.
Banner Image: Edward Steichen, Moonlight on the Narrows, 1905, Oil on canvas, The Lunder Collection, 2013.268